Review of Venkat Prabhu's 'GOAT'
Venkat Prabhu’s GOAT may not satisfy viewers expecting a globe-trotting espionage thriller or a tightly woven genre-specific entertainer, but it undeniably serves as a celebration of everything fans love about Vijay. The film introduces us to Gandhi (Vijay) and his Special Anti-Terrorism Squad, featuring a strong ensemble cast including Sunil (Prashanth), Ajay (Ajmal), Kalyan (Prabhu Deva), and their chief, Nazeer (Jayaram). Their interactions are grounded in camaraderie and light-hearted banter, showcasing them as regular office-goers. However, the narrative quickly shifts when personal stakes rise, particularly highlighting Gandhi’s struggles with his wife Anu (Sneha) over work-life balance.
As the film progresses, it transitions from a serene setup into a dramatic upheaval, propelling the story from 2008 to the present and launching it into high-octane action. One of the most commendable aspects of GOAT is its impressive casting. While some characters may seem like glorified cameos, the chemistry between these seasoned actors creates an engaging dynamic. Their familiarity allows audiences to invest in the friendships and camaraderie, echoing a sentiment reminiscent of The Expendables. However, the film is ultimately anchored by Vijay, who carries the narrative through his dual roles as Gandhi and his son, Jeevan. Director Venkat Prabhu gives ample space for both characters to shine, showcasing Vijay's range as he navigates grief and responsibility.
Vijay's portrayal of Gandhi is particularly noteworthy, capturing a man burdened by duty and personal loss. Yet, it’s Jeevan who arguably steals the show, allowing Vijay to embody the youthful charm and charisma that fans have adored in the past. The film benefits from a thoughtful revision of the de-aging visual effects after initial criticism, providing a more credible representation of a younger Vijay.
Despite its strong points, GOAT suffers from a predictable and shallow plot. At its core, it is a basic revenge story that struggles to transcend its formulaic structure. While the star cast aims to elevate the material, the action sequences often lack excitement, and the music fails to resonate. The antagonist, played by Mohan, feels underwritten, leaving little for the veteran actor to work with. Additionally, the portrayal of female characters as damsels in distress detracts from the narrative's potential depth.
However, what GOAT excels at is delivering fan service, brimming with nods to Vijay’s previous films, dance moves, and memorable catchphrases. For those seeking a celebration of one of Tamil cinema’s most beloved stars, GOAT offers an entertaining experience. It’s a pop-culture treasure trove filled with exciting cameos and heartfelt tributes. While it may not meet all expectations, for Vijay’s fans, GOAT is a worthwhile watch, proving that a lion remains a lion, even with its flaws.
