A hotshot lawyer  who's a plutocrat- inclined cinches cornucopias with his father, a good man and anex-judge in a case involving the person because of whom the judge had to abdicate.

Satyanarayana Murthy( Satyaraj) is a veritably sincere judge who resigns from his post after publicizing a wrong verdict. Cut to the present, his son Lucky( Gopichand) is a greedy counsel who only works for plutocrat. After knowing that his son is taking up a case to help a felonious politician,( Rao Ramesh) Satyanarayana makes a comeback as a counsel to face his son. Who'll win this father and son battle is the story of this film.
 

Verdict
On the whole,  Pakka Commercial is a courtroom drama filled with passable comedy. The first half is slow but comedy takes the cutlet during this time. effects get better in the alternate half but the mellow plot and predictable proceedings take the inflow down time and again. All those who love loud comedy without bothering about the sense and plot can give this film a shot. Others can look for other options

Specialized Aspects
The product values of the film are enough decent. Music by Jake’s Bejoy is good but his BGM is relatively ordinary. discourses by Maruthi are decent and so were the costumes designed for Gopichand. Editing could have been better in the first half.
Coming to the director Maruthi, he has done just a passable job with the film. One thing is sure the faculty in his comedy has gone down when compared to his last many flicks. With Pakka Commercial, he has mixed comedy with courtroom drama but has failed to recite it on a serious note in crucialareas.However, the affair would have been relatively more, If he'd have elevated the father and son angle on a serious note and added further drama. But still, Pakka Commercial isn't to Maruti’s norms.

Raashi Khanna is one of the major lodestones in the first half and gets a good part. She tickles the funny bone with her hyperactive part and also shares good chemistry with Gopichand. Ajay Ghosh is superb in his limited part.
Rao Ramesh is great as the main villain and evokes good laughs along with Ajay Ghosh. His body language and dialogue delivery suit the mood of the film. Satyaraj gets a meaty part and does what's anticipated of him. Viva Harsha, Saptagiri, and Siya Gautham are okay in their places.
Disadvantage Points
originally, the major debit of the film is its routine story. There's absolutely nothing new that's showcased in the story. Also, the factual story kick starts only during the breakpoint.
Though there's a passable comedy, Raashi Khanna’s character is overdrawn after a point and it looks silly in the alternate half. The track between Satyaraj and Gopichand related to their testaments has not been established well.