Audit: Prithviraj starrer Kaapa takes us through wrongdoing ridden Thiruvananthapuram in an unashamed if somewhat violent excursion. This is definitely not a mass performer, rather an endeavor at a criminal film that desires to remain high up in the class. Pretty much, Shaji Kailas has prevailed with regards to conveying a delightful criminal film portraying the perpetual pattern of wrongdoing and retribution. While it gives an invigorating involvement in Thiruvananthapuram as its area, their version of the shoptalk fails to work out.
The film starts with a geek, Anand discovering that his significant other Binu Trivikraman's name wound up in Kaapa list unintentionally. The name is utilized by her sibling's previous group and that is the manner by which she wound up in the rundown. The story travels through Anand's excursion to protect his significant other. He meets Kotta Madhu, the opponent posse pioneer. He has his eyes set on a seat for Thiruvananthapuram city organization decisions. Nonetheless, his previous torment him in spite of endeavors to avoid the crime location basically as long as necessary.
Kotta Madhu isn't in no sense a legend. He is savage, crafty now and again and coldblooded in numerous ways. In any case, Kailas and essayist G R Indu Gopan whose story Shamghumughi is the wellspring of the content endeavored to show his milder side where he is only a man of his family-spouse and child, lamenting his previous mistakes, however just specifically. The contradicting group is helped by a nearby writer Latheef. The contention between the groups frames the core of the film.
Prithviraj depicts the nearby criminal Kotta Madhu with class. One more stand apart execution is from Asif Ali who depicts Anand, the unfaltering, yet a little gullible man. Jagadeesh as Jabbar will be a memorable job. Dileesh Pothan as Latheef was right on the money. Aparna Balamurali likewise conveyed a decent execution with the restricted screen time as Kotta Madhu's accomplice Prameela. Anna Ben, but didn't have a lot of to do in the film and an alternate projecting choice would have been exceptional for her job as Binu Trivikraman.
The general subject could be construed as ' As you sow, So will you harvest.' The film flops in the 'tension' front with a great deal of hinting. By the principal half itself, a watcher will actually want to comprehend who is behind the trick in progress. Indeed, even Kotta Madhu's ruin can be speculated effectively, as a matter of fact. The additional items and a portion of the supporting cast were not picked well. Notwithstanding, the film gets in addition to focuses for the activity scenes and the music. First light Vincent's music adds zest to the film.
- Gopika IS
