Four years ago, the creators of KGF: chapter 1 promised to bring kanada films to new regions and viewers. They are now back in KGF: chapter 2,and it is no exaggeration to say that their promised have been kept. written and directed by prasant neil, the KGF film appealed to the nation-wide consciousness and reinvented the long-standing story of one non-conforming victory for all possibilities.If the vulnerable is the seemingly invincible rocky bye(yash), all elements of the masala template will be raised to an astronomical level.

     The second part continues until the first part ends.you can see that narachi's “pillar” is forced to accept rocky as his new boss. of course, this leads to a general grudge, and it is clear that the betrayal hits the left, right, and center of our protagonist. however, KGF is not an ingenuity. It's about imaginative filmmaking. every time he thinks a particular conflict has culminated, prasant neil zooms out to show that this is all just the tip of the iceberg.

      Occurs multiple times and shows a good write. In another movie, the encounter between adiella and rocky may be show sa the ideal culmination of a confrontation, but here we are given three wonderful sequences that capture the vibrations of the force,each of these scenes. providing grandeur and strength it will be known to live with the movie forever. then there is the superstylized violence that was very important in the first movie. sure, there's a lot of debate about where the movie is in the moral specttum, but the attractive visual style continues to curb analysis.

      The big problem is the badly drawn female lead. reena of srinidhi shetty suffers from a severe case of stockholm syndrome and it's hard to sympathize with why she's on the sidelines. even a small role like the figure of eshwarilao draws a neatly rounded arc. the film also runs the risk of feeling full because the layers are layered, especially in the pre-break section.

     Too many stories intersect with villains. in fact, in the last few minutes it wasn't clear if the two films and what happend in the eight years would be justified. but yash's best performance is rooted in disorder and we are crazy about it. his emotional turns ate more effective than the playful part, and his angry eyes speak much more than his trademark broken english. diaglogue also adds to the tone of humor, but then there are all these lines that can easily be turned into motivational posters: “greesd is good . . . greed is progress . . . ”