"Abraham Ozler" is a riveting Malayalam thriller that immerses viewers in a world of suspense, mystery, and unexpected twists. Starring Jayaram and Mammootty in a villainous role, the film captivates audiences with its intense investigation and edge-of-your-seat moments.

starring Jayaram, Mammootty, Anaswara Rajan, Sentil Krishna, and Arya Salim in the lead roles and directed by Midhun Manuel Thomas.

*** A well-known vengeance plot told through medical means *** Analysis of the movie

The Jayaram-starrer is marred by generic treatment to the serial killer genre, with a cameo from superstar Mammootty offering only a temporary relief

While coming to the focal person, I was distrustful whether family man picture star will ready to convey such weighty person as his prior police films "Unique mark", "Rahasya Police" was absolute dissatisfaction. In any case, here he put the endeavors, the person goes through the excursion of outrageous sorrow followed by a sleeping disorder which Jayaram could ready to brought into the screen. He used to dodder so that the audience could understand how much the character was going through in his life. This was done to show that the character had reached the stage of pre-mature age.

When it comes to Mammootty, the other main character, his character went through the same kind of trauma. His voice tweak, the articulation in his eyes, depicts the aggravation the person had gone through yet when see a film, does this character is exceptional, this question emerges as plot of retaliation had seen a ton and for that reason the layout took on in Ozler is the same as Midhun's presentation spine chiller film "Anjaam Paathira"

While discussing the entertainer "Anaswara Rajan," just a single word "Remarkable Craftsman." The flashback reveals her character. A 2024 young lady depicting 1989 young lady character so convincingly, Anaswara is securing herself as one of the TOP Mollywood champions.

Jagdeesh's performance was another memorable one. A dim shade however acted another way and he just nailed it.

When it comes to the technical aspects, Midhun Manuel was able to create a mood using the script that was already known. The first half was interesting, but when the second half started, especially when the back story was revealed, we realized that it was just old wine in a new bottle. The music from Midhun Mukundan, particularly the introduction of the Mammootty character and Jayaram's presence on screen, was excellent, as was the elevation music. In many places, a suspense tone was added to maintain the mood, and it worked well.

Overall, not very impressive, but still watchable.