Joe centres around Rio Raj's portrayal of the little character. the tale of maturing despicts Joe's life from his school years far into his maturity as a married man. This movie functions as something of a character study, explaining to us why ought to or ought not to act in ways similar to joe in different circumstances throughout our lives.
Joe's well written screenplay is one of its strongest points. The movie allows us make our own assumptions and hopes about from one point in Joe's life to another in a non chronological order, which adds to the pleasure of watching the movie. The entire initial part of the story focuses on joes romantic relationship with Sujitha(Malavika Manoj) and how it develops. Although the template is somewhat the screenplay is predictable, Joe's first half is elevated above average because to the method taken with it.
Allow me to clarify, there is very little conversation in the first half, which lasts for over an hour and fifteen minutes. siddhu Kumar, the film composer, really writes dialogue in a sense by using dramatic music and heavy guitar strings to fill in the silences. This execution would seem ideal to someone who enjoys sugary romance, but it cant help but feel that a straight forward love story is being stretched out of dramatic effect.
You anticipate that the second half would pick up the pace and center on Joe's new life with Shruthi (Bhavya Trikha), even though the first half finishes on a meloncholy note. Regretfully, this is where a setback occurs in the movie. Though they don't truly like each other, Shruthi and joe tie the knot out of obligation(Raja Rani trope much?). In light of this, the scond part concentrates on their motivations. Among the personolities that help the couple realize how vital they are to each other are a watchman played by Charle and Shruthi's sister.
Joe's college friend group provides some excellent humor in the first half, but their absence in the second half gives the humor an uneven tone. Our coach figure is attempting to make us laugh, but the jokes are rateher forced. The script, which at first offered Rio a lot of room to play, disappoints the actor in the second half, particularly with its misguided ease. For instance, Joe's two partners somehow prevent him from talking during important conversations since they know that if he does, the issue will be settled right away. In similar vein, the movie does a poor job of handling the subjects like sucide ideas, mental illness, and grief. A man's recovery fom severe grief which leads to alchoholism and even a sucide attempt comes from his mothers monologue. Sadly, mental health does not operate in that manner. This movies worst flaw, which becomes apparent as it progresses is its hurried composition.
