As the year reaches a conclusion, I wind up working out how long I spent watching what I view as the best Bollywood films of 2023. I consider the time I watched Jawan threefold in the film, cried to "Khufiya" in my room, and returned to my exemplary Bollywood melody playlist subsequent to seeing Rough aur Rough Aur Rani Kii Prem Kahaani

2023 was the year many considered as the rebound of Bollywood: Shah Rukh Khan got back in the saddle; Karan Johar brought back the great sets and bright saris of the '90s; Kareena Kapoor introduced her self-conceded Kate Winslet period with two dirty ladies drove spine chillers. As we welcome 2024, Vogue gathers together the best Bollywood motion pictures of 2023 that established a connection with cinephiles.

Pathaan

Following a five-drawn out break, Shah Rukh Khan made his eagerly awaited return to the cinema with activity thrill ride Pathaan. Spinning around the 2019 disavowal of Article 370, the film sees a disease ridden Pakistani general slung into a feud against India. Enter Pathaan (Shah Rukh Khan), the Crude specialist professional, who, alongside Major Nandini Grewal (Deepika Padukone), structures the J.O.C.R. unit. This globetrotting spine chiller unfurls like a covert operative themed expedition from Dubai to Spain and Moscow to Siberia. It has ex-specialists, secret codewords and a changed smallpox infection named Raktbeej — yet that is not all. Prepare yourself for an appearance from another renowned Khan. Who said worldwide surveillance can't be a masala performer

Rocky aur Rocky Aur Rani Kii Prem Kahaani

In this terrific Bollywood romantic comedy and family show, the conventional Rough Randhawa (Ranveer Singh) ends up succumbing to profession arranged reporter Rani Chatterjee (Alia Bhatt). At the point when their conviction frameworks, values and — most terrible of all — families conflict, an exceptional arrangement is proposed: in a trade program of sorts, the two choose to reside in one another's homes. A magnificent conflict of societies follows as Rough and Rani attempt to break liberated from the male centric shackles between the scrappy Punjabi group and the refined Bengalis. Add to it a blend of sentimentality and Bollywood's most noteworthy hits: a moment Karan Johar exemplary. We will be situated with our best jhumkas.

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Jaane Jaan

In the quiet town of Kalimpong, Maya D'Souza's (Kareena Kapoor Khan) life takes a dull turn when her harmful ex, Ajit (Saurabh Sachdeva), returns. At the point when Ajit meets his destruction — a passing seen by D'Souza's withdrawn neighbor, math educator Naren Vyas (Jaideep Ahlawat) — things start to get convoluted. Jaane Jaan, Kapoor Khan's most memorable OTT adventure, sees her in a grittier symbol, investigating wrongdoing, love and scholarly pursuits.

Dhak Dhak

Dhak takes us on a romping street experience, not looking for affection but rather self-disclosure. Created by a stalwart group including Taapsee Pannu, the film highlights Ratna Pathak Shah, Dia Mirza, Fatima Sana Shaikh and Sanjana Sanghi as four ladies from various different backgrounds on a bicycle endeavor to the most elevated motorable pass on the planet. Spreading over 83 areas — from More noteworthy Noida to Leh — the film's shooting was finished in a great time of forty days, and addresses the common experience of being ladies in a man centric culture.

Jawan

In this rollercoaster of turmoil and turns, Shah Rukh Khan plays Azad, Mumbai's brave guard turned plan, organizing wrongdoing with a band of ladies prisoners. Their weapon of decision? A seized Mumbai Metro train and a shrewd arrangement to support ranchers' credit waivers. Adjusting interest, heists and a hint of incorrigible humor, this shockingly political film unfurls like a Bollywood thrill ride. We should not fail to remember the public service announcement toward the end, where Khan urges individuals to cast a ballot honestly before a ten-minute Wonder esque activity grouping. Film.

Khufiya

In the dirty domain of surveillance, Khufiya discloses a story sans gaudy contrivances: simply spies exploring a complicated labyrinth. KM (Forbidden), a R&AW usable, disentangles the disloyalty by her ex-sweetheart, a twofold specialist in the shadows. The mission: expose the mole in the workplace as R&AW's profoundly arranged intel is in danger. Khufiya isn't simply a covert operative spine chiller; it's about endurance subject to trickery. (Also, we'll take all the Unthinkable strange portrayal we can get, thank you kindly).

Ghoomer

In Ghoomer, R. Balki takes us on a twist through the universe of cricket, yet this time, it's not your typical bat-and-ball issue. The film acquaints us with Anina "Ani" Dixit (Saiyami Kher), a promising cricketer whose venture out of the blue turns when an oddity mishap costs her right hand. Enter Padam "Paddy" Singh Sodhi, a previous test cricketer with unconventional strategies and a skill for instructing. Paddy, depicted by the consistently charming Abhishek Bachchan, changes Ani into a spinner with their inventive style: ghoomer. With under ten months on the clock as Anina attempts to get a spot as a bowler in the Indian ladies' cricket crew, Ghoomer is a holding story of strength and rehash.

12th Fail

Composed and coordinated by Vidhu Vinod Chopra, twelfth Fizzle follows the existence of Manoj Kumar Sharma, played by Vikrant Massey. Brought into the world to a dad who highly esteems his trustworthiness, the film takes a turn when Manoj chooses to undermine his twelfth grade tests, prompting a satire of mistakes focusing a light on the ridiculous universe of training. From dusty homerooms to the tumult of Delhi, Manoj's process includes deceitful complaints, tragedy and, surprisingly, a bit of sentiment.

Kathal

Kathal: A Jackfruit Secret is an ironical dining experience presented with a side of satire. Coordinated by Yashowardhan Mishra and including an outfit cast drove by Sanya Malhotra, the film welcomes you to the nursery of a MLA, where two jackfruits strangely evaporate. Monitor Mahima, played by Sanya, is looking into it, however there's a curve: the nursery worker's little girl is missing as well (nobody appears to mind). As Mahima explores this fruity problem, the film turns into a carefree parody, keenly mocking the peculiarities of the public authority framework.

Mast Mein Rehne Ka

Our new solace watch comes as a wonderful parody show that takes us on a rollercoaster ride through the clamoring roads of Mumbai. Jackie Shroff's Kamath — a single man caught in the dullness of his daily schedule — finds a surprising flash when his home turns into the objective of a burglary. As he looks for association in the city's obviousness, he encounters the energetic Mrs Handa, played by Neena Gupta. Together, they set out on devilish undertakings, incidentally finding the cheat who disturbed their lives.