Hey guys… I am your new blogger…. I'll do my best in this movie review….. Yah…. This is the old movie but this is a connectable movie for some couples..❤️

A simple song that sparked as many flashbulbs as possible, leading to epic proportions of expectation for the film in which it appears, is finally out. And, given that this is Aishwarya Dhanush's directorial debut, it's understandable that the limelight is totally focused on 3. Aishwarya chose a basic and widespread concept for her debut film, love and relationships, and added a thriller element to the narrative. Her husband, Dhanush, has been a tremendous help in bringing her vision to life on a grander scale, giving one of his best performances.

 Simple language and polished performances help Aishwarya on her journey. However, the doddering storyline and ponderous narration work against three.

And, given that this is Aishwarya Dhanush's directorial debut, it's understandable that the limelight is totally focused on 3. 

Dhanush- Do we need to mention anything about this great artist? 

He’s in a different higher league and can sail across all roles. Having stated that, Mayakkam Enna's hangover cannot be ruled out in this film. 

Shruthi, who has a hefty role in 3, delivers a solid performance despite battling in the difficult emotional passages. It is also difficult to recognize her as a middle-class Tamil girl because of her Semitic appearance, but she performs well as a schoolgirl due to her shy and fearful demeanor. Prabhu, Bhanupriya, and Rohini demonstrate time and again that they are all experienced performers.

 Dhanush has the features of a school or college boy, but Siva Karthikeyan, who takes command of the comic department in the first half but is completely absent in the second half. Similarly, Sundar Ramu, who is not portrayed in close proximity to Dhanush in the first half, suddenly appears as a pivot in the second.

 Anirudh's music is the largest plus of three, and the depiction of the much-talked-about Kolaveri does not disappoint, despite the fact that it occurs at a time when things are serious.

 In terms of technical production, cinematographer Velraj and editor Kola Bhaskar followed the film's guidelines. Dhanush and Shruthi's appearance, clothes, and body language change significantly due to their age groups. Several things are implausible and inexplicable.

Like Dhanush tying the mangalsutra to Shruthi in the pub, despite the fact that his parents are not opposed to his marriage. And it is remarkable that when a significant situation arises, it is not communicated to Prabhu and Bhanupriya, especially because they are portrayed as such lovely parents.