Prashanth Neel's "ambition" beats his "storytelling", which is the biggest problem with his script. Visually everything looks very cool, but the overall debate to keep things cool is weak. There are some issues similar to Chapter 1. For example, why are everyone talking to everyone so loudly? I wanted to keep  track of how quiet the scene was, but it was too loud to concentrate.  

For clarity, I have nothing against the loudness of the movie. I loved movies such as Master, Rodi Lasole and Dabangg. But this not only paralyzes your mind, it does the same for your ears.  

Sidebar: In one scene, the word "democracy" changed to "democracy" and I was surprised by the irony of the democratic society in which we live.  

Buvan Gouda's cinematography takes the already monumentally edited sequence of actions to a level rarely seen in the Indian film industry. Yash's auto-tracking sequence with "play and pause" transitions remains the movie's best highlight, thanks to Ravi Basrur's stunning cinematography and well-synchronized background music.  

But the same ClassA cinematography believes in the feel of the movie as she rushes from  place to place in the Yash & Sanjay battle scene. Because nothing is clear enough to understand something like a movie story.   

Chapter 1 was enough to show why there is no one but Yash to understand Rocky macho with such accuracy and stolen goods. In Chapter 2, we'll just reinforce a similar idea by converting it from buy to bug one. The creators allow Rocky Buy to stay on the pedestal with his high octane presence in every alternative scene. The way he tells his own conversations has to listen to him (even if he's not interested).  

Srinidhi Shetty is too few to contribute to the story. In addition, she got a song (Mehbooba) that fills the second half, but there is no solid explanation. Sanjay Dutt was expected to replay Kancha Cina from Agneepath, but due to the short-sighted treatment of the story, he had the opportunity to register a plot (except for his referral sequence). Has never happened.  

Rabina Tandon's PM remains one-dimensional throughout the film with little impact. Plaker Schlaj is just a narrator who adds only his voice.

KGF2 is a high octane masala entertainer that stays true to its genre while providing the fun it promises.