Yanala Siva Prasad's bilingual Telugu and Tamil film Vimanam, which was written and directed, masterfully tells the story of a father's love, effort, and sacrifice to realise his son's desire. The audience connects with the movie and finds it appealing on a deep level. A few of the sequences have the potential to make some viewers cry since they are so emotionally moving. It has excellent acting and appropriate images, and it comes across as an honest movie. Samuthirakani and Master Dhruvan's portrayals of the father and son, who serve as the film's protagonists, create an enduring effect. As a disabled single father, Samuthirakani once again gives a strong performance that gets the audience to support him. Actor Master Dhruvan, who plays Raju, offers a subtle performance and lives up to his role like a seasoned performer. The movie, which is set in a slum, has a rustic yet genuine vibe and features a few characters created to capture the spirit of the setting and its residents.
Rahul Ramakrishna, Dhanraj, Anasuya Bharadwaj, Meera Jasmine, Naan Kadavul Rajendran, and other actors provide supporting performances that enhance the story of the movie and make it a captivating whole. Vivek Kalepu's photography and Charan Arjun's music support the film's aim by establishing the mood and enhancing the emotions that the actors exhibit. Hanu Ravuri wrote the dialogue for the movie, and Jk Murthy and Marthand K Venkatesh handled the art direction.Even though the movie had a lot of good things going for it, some of the second half could have been more interesting. Additionally, the seemingly never-ending list of issues that the already-disadvantaged individuals must deal with may cause viewers to feel overburdened at some point. Others, though, might relate to these problems.Overall, The movie Vimanam, which has wide appeal, shows how much a father (and his parents) love their son (and children). Watch it for the good acting and respectable production qualities.
The youngster develops a developing, unwavering passion with flying, and the father is driven to grant his wish, which is the main subject of the novel. As time goes on, the plot begins to treat Veerayya's quest like a computer game, adding numerous challenges. Time is also of the essence.
The narrative becomes progressively darker in the second hour. Veerayya's will to live rises to the surface, but the story also starts to feel increasingly forced. Vimanam needed new tropes and stronger writing if it was meant to be a modest attempt at something along the lines of The Pursuit of Happiness. Child actor Dhruvan complements Samuthirakani's unwavering concentration and sincere portrayal of the father's emotions with his endearing innocence. But it's not sufficient.
The storyline involving Koti, a cobbler played by Rahul Ramakrishna, and sex prostitute Sumathi, played by Anasuya Bharadwaj, stands out like a sore thumb. Even if their story has a happy ending, the innuendos here and there and the predatory lingering of the camera on Anasuya seem out of place. In a brief role that is more stupid than humorous, Mottai Rajendran makes an appearance. A far better subplot is an auto driver (Dhanraj), his wife, and son.
The crowd cries during Vimanam's emotional drama, which may have the correct intentions. The question of why it had to be so predictable and at least a few decades old remains, though.
A well-known actor and director, Samuthirakani has shown his versatility in a variety of roles. He plays Veerayya, a physically challenged father whose son Raju (Dhruvan) has only one dream in life, in Siva Prasad Yennala's Telugu-Tamil bilingual Vimanam. The father-son bond is examined in the film, which takes us on a very emotional journey.
