Joju George appears as the primary character's twins, ASI Vinod and DySP Pramod, who are sent to a Vagamon police station. In the scene, Vinod is shot. The president asks the police to crack the case as soon as possible under the thumb of the media.
The script seems to stutter as the police activity moves ahead at a brisk pace. Iratta suffers from some writing flaws, such as some weakly characterised supporting characters and the treatment of Vinod and Pramod's early years, but the main reason for this, in my opinion, is that writer-director wants to lull us into thinking that Iratta is just another routine police procedural before that slam-dunk of an ending motivational factors that influence up on us. Not only does the climax involve a huge twist, but everything the movie stands for is also made crystal obvious at that point. Joju George's genius also reaches its height at this point.
Away than Joju George, Anjali is the only other outstanding character in the movie. She doesn't have much to say in the movie, so her quiet and the part she plays, which is fraught with sorrow, give the movie more heaviness. As Malini, Anjali delivered a convincing performance.
In spite of having a well-written and compelling tale, Iratta is technically sound. Jakes Bejoy's background music complements the story's edginess while also maintaining the drama in the screenplay. The shooting of Vinod is very excellent.
Joju George great at highlighting the two character' various exposures and displays (twin brothers). Vinod is quite the opposite, a rowdy police officer who values nothing in life but his decisions, whilst Pramod is totally professional and faithful to his task.
In every tiny issue, including body language, dialogue delivery, tone, attitude, and everything else, Joju George identified two characters. In the course of the story, Joju George might be viewed as both conceited and sentimental in two different roles. His playing displays a wide range of tones, which is very admirable.
Through the twins' current lives, one of whom experienced such angst and loneliness at an early age, the topic continues coming back. But, these incidents can't always be used to excuse those horrendous acts these former victims committed. Returning to the prior discussion of the sluggish periods, this flashback to childhood part features loudly produced scenes.
In particular, the Forest Minister (Srinda) can be heard repeating the same discourse over the CM's pressure and her demands for the police officials to give faster results.For opposed to these two, a man who is jailed in a ganja case while the shooting happened receives a more complex picture of his personality.
Once it comes to the investigation, there isn't much novelty, and many of the scenes will recall you of recent Malayalam crime shows.
