All of Us Are Dead is the latest entry into the amazing undead mayhem that South Korea is escalating (Train to Busan, #Alive). Set in a (mostly) genocide high-rise high school classroom, corridor, and stairwell, the All of Us Are Dead is a series of zombie outbreaks of zombies running fast in an unfortunate group. Unleash the onslaught. Students, `I managed to survive the first wave of zombie calypse. It's smart, exciting, and also ... a little tiring. With 12 well-packaged 1-hour episodes, the
All of Us Are Dead, frankly, has a lot of zombie horror. It's unclear if this work from South Korea's JTBC Studios and film monsters will be the victim of the typical Netflix bloat, but it's definitely best to absorb several episodes at once rather than a complete fall. is. After three or four episodes, you might think, "Yes, this is the rule!", But around episodes 8 and 9, a little snow in all those who shake their limbs and clench their teeth. It may be invisible. One of the unique strengths of the
series is that it takes time to move the main character from one area to another (sometimes the entire episode consists of trying to move 50 feet). .. For repeated beats. You can save a ton from this story, especially some side stories focused on other survivors of out-of-school outbreaks, but the overall benefits outweigh the inertia.
The most exciting part of most zombie stories is the first catastrophic end of civilization, and fortunately that's the focus here. Likewise, every crisis these teens face throughout this ordeal feels real, immediate, and grounded. In turn, every solution they arrive at, to get themselves out of their inthemoment conundrum, makes sense. It all feels like these are solutions relatively smart humans could come up with, whether they're trying to escape a gymnasium equipment closet, move from room to room in the school, or simply create a small enough window to book it fast and get a running chance.
All of Us Are Dead's zombie action is never not impressive. Whether it's giant chaotic crowd shots, massive ensemble brawls, or tricky "oners," this is massively kinetic storytelling that will drain you as emotionally as it drains our heroes physically. There are dozens of amazing examples of physical behavior in which zombies distort themselves in ferocious and inhumane ways, reminiscent of Emily Rose's portrayal of Jennifer Carpenter in Emily Rose.
Yoon Chan-Young and Park Ji-hoo have fixed this cruel and crowded horror roller coaster as a neighbor or best friend since kindergarten Jeongsan and Onjo. Jeongsan likes Onjo, but Onjo likes Lomon's former bully Suhyuk (Suhyuk is crazy about Cho Yi Hyun's moody class president Namura). Comprehensive stakes can be awkward, so it feels ridiculous to write them all down, but the relationship is more complicated than you can imagine and portray.