Films on accidental pregnancy, for example, Katherine Heigl's satire Thumped Up and Anna Ben's theatrics Sara's feature the different choices that its heroes needed to take while finding some peace with the present circumstance. This is much of the time the vital snare for these films as it takes the crowd too through their excursion, but undesirable the conditions are or disliked their choices are. It would be uncalled for to contrast these movies and debutant chief Alfred D Samuel's Goodness My Sweetheart, which presents, seemingly, the most ridiculous interpretation of pregnancy yet.
While the limited time material of the film, featuring Anikha Surendran, Melvin G Babu, Mukesh, Lena, Johny Antony and Manju Pillai, was for the most part planned as a vibe decent romcom, this wears off inside the initial 20 minutes. The film, which is prearranged by Jineesh, then waddles an in level area - while making sense of how the heroes Jenny, who is fixated on K-Show, and Joel, a lethargic youth, face a situation the last option needs to get out of.Though there's an endeavor, late in the film, to make sense of crazy Jenny's thought process is while she chooses to keep the child against the exhortation of Joel, who out of nowhere appear to be more shrewd of the two. The creators don't attempt to remove satire from the circumstance and on second thought run a subplot with Joel's family to keep things light. In that cycle, they some way or another figure out how to thoroughly overlook what Jenny is feeling. This could be expected as a conscious move, on the grounds that the last clarification about bogus pregnancy that Jenny's folks give Joel covers for why no one in her family appears to see - her unpredictable way of behaving or even the stepping stool that dangles from their little girl's room without trying to hide - and furthermore Jenny's problematic choice at her age. Yet, there's not a great reason for why Joel obliges it. Likewise, however the clarification addresses a clinical issue, how it's put and separated to Joel, combined with his responses, cause it to feel absurd.The length of the film likewise doesn't help it as there are long, level stretches where either Jenny and Joel are charmed in senseless discussion in the center of their dilemma or Joel is out having even trivial talk with his uncle and companions. This additionally empties out any energy that the film had in the underlying half.