An Ouija board in a thriller is no sign of curiosity. All things considered, there could be no greater reason than the board to open an entryway to the next world and call meandering spirits. Yet, this everlasting wellspring of the otherworldly turns out to be very something different in Romancham, Jithu Madhavan's presentation film. What occurs around it frequently brings out loud giggling, instead of dread. One justification for this is the way the chief, who likewise prearranged the film, has considered the situations. The other being a few first class comic exhibitions from the whole cast, with faultless timing.It all occurs inside a leased house in Bengaluru in 2007, with seven single men having a great time in spite of battling to remain above water. The blend includes two men who have some work, a bombed financial specialist, two who have been standing by interminably for a bid for employment after a meeting, and two who have no positions. It is simple for a watcher to squeeze into this little universe of different characters, who all hang out in their own particular manner, with their extraordinary kind of wildness. For anybody who has been around there around this period, the world that the film makes is very relatable.As in any such lone wolf family, there is the dependable man making a respectable attempt to bring a similarity to train in the midst of the rebellious pack, as well as the one who won't retouch his methodologies and battles for his entitlement to consume paan masala. Interest gives way to loathsomeness when them seven gather a soul utilizing an ouija board. The appearance of a renewed individual with impossible to miss conduct issues further entangles matters.

With its natural stream and simple situations, it could seem to be a simple content to compose, yet to pull something off so consistently, the essayist must have a reasonable comprehension of what might deal with the screen and what to forget about. Shockingly, nearly all that brings about the ideal result here. The mise-en-scène of the lone wolf room itself has an adequate number of components to summon chuckling. The unsold western chests of the bombed financial specialist top off a decent piece of the room, becoming stopgap seats, a rice compartment, and, surprisingly, a gift for a companion's wedding.
At the point when the heavenly components kick in, the content additionally passes on a space for us to uncertainty the happenings. Sushin Shyam has made tunes and foundation score that gel with the particular state of mind of the entire film. After quite a while, Soubin Shahir gets a job that accommodates his sort of acting, while Arjun Ashokan masterfully handles a person that is challenging to pull off. Yet, the yield of new entertainers help the film all through, supplementing each other well.

Romancham leaves us with a commitment of a continuation, which is something to anticipate, taking into account the way that much should be possible with this arrangement of characters. Loathsomeness satire is a class that requires a ton of fragile adjusting, and Jithu Madhavan gets it on the money, making it truly outstanding of its sort in Malayalam film.