The blockbuster bravery of Rajinikanth, Mohanlal, and Shiva Rajakumar saved Nelson's limited vision. After two consecutive mediocre films, Nelson Dilip Kumar must be one of the fortunate filmmakers in Tamil cinema to be still alive and getting work. The black comedy "Kolamaavu Kokila" (2018) barely had any brains; "Doctor" (2021) couldn't find a cure for his terrible vision; "Beast" (2022) was a beast-size agony; and now he has presented another mediocre movie, "Jailer". If you consider the first half of the movie, it may have been a lot better. Rajinikanth's charismatic heroism and the big-budget appearances of Mohanlal and Shiva Raja Kumar, who assist in creating a crossover of Tamil, Malayalam, and Telugu in the second part of the movie, let it somehow stand on its own.
THE SECOND HALF FAILS, SUPERSTAR AND ANIRUDH MAKE THIS WORTH WATCHING. I can confidently state that this is the RAJINIFIED Comeback after such a long wait. The primary character of this Nelson-directed film, "JAILER," is SUPER STAR RAJINIKANTH. The button below is used. It's that simple!
A senior jailer named Muthuvel Pandiyan (Rajinikanth) embarks on a search to track down his son's killers (Vasanth Ravi). But the path takes him to a well-known location that is a little bit darker. Can Muthuvel successfully navigate this challenging situation?
Tiger Former jailer Muthuvel Pandiyan (Rajinikanth) is now a family man. He participates in basic household tasks and spends his days creating YouTube movies with his grandson while also buying produce at the neighborhood market. Police officer Vasanth Ravi, who is Muthuvel's son, goes missing while trying to track down a group of idol thieves. When the news of his passing is announced, Muthuvel's wife (Ramya Krishnan) attributes the mess to his straightforward upbringing. Muthuvel, a grieving father, sets out to exact revenge on his son's killer. You can adjust several options, including the language and visuals, by clicking the gear icon in the paraphraser's upper right corner. Additionally, you can view text statistics and provide feedback.
The film's two hours and forty minutes require some establishing footage. The pace doesn't increase up for more than 40 minutes. This film lacks the cathartic experience provided by the mass introduction sequence that is a staple of every Rajnikanth production. It turns into a Nelson movie at this point. However, the second half's mass scenes and intermission make up for it. Director Nelson, whose most recent feature film was Beast, comes back with his distinctive style of filmmaking, which has a first half filled with subtly humorous dark humor. The first half is saved by the humorous banter between Yogi Babu and Rajinikanth. With multiple large-scale moments, the second half gets off to a strong start, especially when the narrative flashes back to reveal a glimpse of Muthuvel's history, although
