Prasanth Neel - the director of the movie created a huge hype with his pervious blockbusters KGF-1 and KGF-2. 

Though, this time Prashanth's sorcery didn't worked out. As KGF holds up to Prashanths portrayal style in addition to Yash acting levels, Salaar has parcel of reliance just on Prabhas(REBEL STAR). Story didn't hush up fascinating yet heights about second part in the film stands out. Youngsters singing song+seeking help from God+then Legend battle scenes are totally obsolete. On the off chance that this sort of screenplay proceeds with its not any more mass rather it makes us bore and seems to be a comic.

Just Prabhas makes the run time looks alright.

Prabhas section to KHANSAR: bgm remind me something like I am watching a Wonder legend.

For me actually the mother character job Eshwari garu performed minimal over-acting.

However the film stood like a dining experience for mass fanzzz still it doesn't has a lot of potential true to form. At the point when I previously watched kgf-1 I didn't preferred it due to over publicity back voice twlling about Yash yet it was alright since everything unquestionably revolves around prologue to Legend character in like manner I hv fulfillment level about SALAAR part-1.

Prashanth Neel takes an unusual course in portraying this tragic world and its characters, inclining more towards global film. Similar as the KGF establishment, the chief sticks to a dull variety range. The film shuns regular dance numbers or heartfelt songs, rather depending on situational hymns sung by younger students in the primary half and by kids from the Mahara clan in the final part, which upgrade the show.

 The film investigates subjects of force, devotion, selling out, and the right to initiative, diving into the intricacies of political maneuvers and individual loyalties, offering a convincing editorial on epic showdowns.
Prabhas, as Deva, is both jolting and quiet, conveying a presentation that consolidates crude power with profound close to home profundity. His depiction of Salaar features his capacity to offset crude animosity with unobtrusive profound subtleties. Prithviraj Sukumaran, as Vardha, depicts the weakness and assurance of a youthful beneficiary trapped in a political hurricane, yet holding onto his own essential estimations. His convincing exhibition adds a layer of intricacy to the story. As the film advances, Prithviraj's personality oozes strength and bravery. Shruti Haasan, in her job as Aadhya, brings a feeling of equilibrium yet is for the most part restricted to the main half and a couple of scenes in the second.

 The supporting cast, including Sriya Reddy, Ramachandra Raju, Madhu Guruswamy, John Vijay, Saptagiri, Prudhvi Raj, Jhansi and Emulate Gopi, adds layers to the account.