Vijayendra (Pracash Raj), the son of the author Anand Vashiraju, continues the infamous story of Rocky (Yash) to the editor of the news channel, all beginning with the first chapter. In his story, you can see how Rocky changed from buy to bug one and the people around him. After killing Garuda, it was Adiera (Sanjay Dutt) and his army who returned to find and kill Rocky. Rocky isn't the only obstacle facing Rocky, but he's currently on the radar of India's Prime Minister Ramika Sen (Rabina Tandon). Rocky dodges a sort of Adiela, but it's the government that's getting in the way (in his own words) to become the "CEO of India." Is there only one winner in this triple threat match? Now, put cotton in your ears and sit On Friday I saw the Yashstaller KGF in Prasant Neil at the Mangaluru Theater, but I remember being less fascinated by the dialogue. That means I heard them. I can't say the same about KGF2 almost four years later. I rarely heard one dialogue in the roaring audience and relied on subtitles. That is how much KGF has grown as a franchise. And my eardrum is still lively after the last scene — yes, yes, it promises Chapter 3.

KGF: Chapter 2 Movie Review: Screenplay Analysis Prashanth Neel's "Ambition" invalidates his "Story", which is the biggest problem with his script. Visually everything looks very cool, but the overall debate to keep things cool is weak. There are some issues similar to Chapter 1. For example, why are everyone talking to everyone so loudly? I wanted to keep track of how quiet the scene was, but it was too loud to concentrate. For clarity, I have nothing against the loudness of the movie. I loved movies such as Master, Rodi Lasole and Dabangg. But this not only paralyzes your mind, it does the same for your ears. Sidebar: A scene changed the word "democracy" to "democracy" and censored it, and I had to be amazed at the irony of the democratic society in which we live. Buvan Gouda's cinematography takes the already monumentally edited sequence of actions to a level rarely seen in the Indian film industry. Yash's chase scene with "play and pause" transitions remains the movie's finest highlight, thanks to background music well synchronized with Ravi Basrur's stunning cinematography. But the same Class A cinematography isn't as clear enough to understand something as in the movie story, so when you're rushing from place to place in the Yash & Sanjay battle scene. I believe in the feel