Gatta Kusti Movie Review:
Aishwarya Rekshmi and Vishnu Vishal in the movie.
Vishnu Vishal makes an interesting choice both as an actor and as a producer. After delivering two back-to-back plot-driven thrillers, he's back with his entertainer, Gatta, a lighthearted country jam packed with some sweet messages about modern marriage and the need for women's empowerment. to go. The film is considered his one of the funniest family dramas in Tamil cinema in recent years. It calls for a very predictable plot of a domineering husband who ultimately portrays his wife after a transformation.What makes the film refreshing is the comical treatment and the fact that Aishwarya Rekshmi gets most of the spotlight. is to be theft. Vishnu literally plays second fiddle to Aishwarya in most of the films.
Keerthi (Aishwarya) plays a local wrestling champion, but her parents want to marry her soon and are against her ambitions. Veera (Vishnu), on the other hand, is living on the legacy of her ancestors and she wants to be a good housewife and marry a girl who will not be her boss. She's basically looking for a woman with low expectations. Because they get married without knowing the truth, the events and married life of the two become the core of the story.
What makes Gatta Kusti, a largely predictable movie, truly entertaining is the silliness of the plot. This is the kind of movie that works if you don't take it seriously, and that's the only way to fully appreciate the movie's intentions...but the second half takes an interesting detour by talking about female empowerment. The film contains some very interesting key points about modern expectations between husbands and wives and how men do basic household chores.
Vishnu Vishal plays the main character, but the film is actually owned by Aishwarya Lekshmi. She also gets a well-choreographed action sequence that is nothing short of one of the best moments in a movie worth whistling to. I'm here. She is very active depending on the scene.
Gatta Kusti seems to have his heart in the right place, but bad writing choices let it down at key points, like the decision to milk misogyny for comedy. The gray-haired molester, Toxicman, is not a "hero", but the parts involved in the molestation are treated as humor. Sometimes (this is a discussion for another day) Karunas says it's a wise decision as Veera can grab her wife's hair and tuck her head under her feet and trample her.
