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Debutant chief Ra Karthik sets up Nitham Oru Vaanam on a reason that sounds like a regular Kollywood story - a legend flounders in sharpness in light of the fact that the lady of the hour his folks found for him severs the marriage, picking her sweetheart all things considered. And afterward, Karthik shocks us with a particular, moving story about fresh opportunities and what love can truly mean. The film opens to Arjun (Ashok Selvan), sitting at a bus station in Bhubaneswar, remorsefully telling an individual explorer, Shubha (Ritu Varma) about his severed commitment. Subha is a carefully prepared independent hiker, obviously most joyful when she's out and about. Arjun, then again, can scarcely monitor his own baggage and despises resting elsewhere yet in his own bed.

How a man who totally severely dislikes voyaging, is germaphobic, winds up on an experience, permits the story to unfurl into more modest stories. Obviously, as is decent in Tamil film, there is minimal comprehension of psychological well-being issues like Over the top Urgent Problem (OCD) and Discouragement or specialist patient connections. Arjun's family specialist, trying to assist him with managing his commitment being canceled, gives him two diaries to peruse. Arjun isn't the regular legend. He hushes up, maintains a strategic distance from conflicts and lean towards the organization of his books. So the specialist at first lets him know that every diary contains a brief tale that she had thought of herself. The diaries are on the romantic tale of two couples who beat a few chances to be together. Furthermore, to the shame of Arjun's 'over the top character', it suddenly finishes with a cliffhanger. The last couple of pages have been detached.

To realize what befell the couples, he should go to Kolkata and to some place in Himachal Pradesh to find out. Thus he sets off hesitantly. Curiously, Arjun imagines himself as the hero at whatever point he peruses a book, giving a brilliantly in structure Ashok Selvan the opportunity to play three totally various characters.

As Arjun opens the principal diary, we are whisked away to an unassuming community cinema where Veera , makes a very Kollywood-style 'mass' passage, pulsates up men who badger his sister and is the common unruly understudy with-a-brilliant heart. At the point when he goes gaga for Meenakshi , chief shocks us with how their sentiment works out. Meenakshi is confused with a tentative school young lady yet ends up being a ball master, far superior to Veera. Yet, her dad's "maanam" (honor) won't let her play any longer. It's a unique case in Tamil film where a legend battles for his old flame to seek after her enthusiasm and cheers from the side-lines. Considerably more uncommon that a lady being superior to him at a game isn't depicted as undermining. Karthik basically provides us with the tale of this youthful couple: a lady finding her organization, a sweetheart reliably offering his fortitude.

Ashok Selvan changes flawlessly from Arjun to Veera with his charmingly tricky strut, yet grounded thoughts regarding affection and association. Shivatmika, in her Tamil presentation, is totally persuading as a deep young lady gradually learning disobedience and picking her own happiness over all the other things.

It's the second story in the diary, the affection and preliminaries of Prabha and Madhi, that really enamors. Prabha also is played by Ashok Selvan. From his presentation in Soodhu Kavvum (2013), we realize that the entertainer is similarly quiet in particular jobs as he is in playing heartfelt leads. Aparna Balamurali as the projecting decision for Madhi is on point. She has a trustworthy capacity for conveying cheeky jokes, depicting a casual refusal to consent to others' principles, and show us grievousness and comic-timing all the while. Aparna leaves you contemplating whether there is any job that she can't pull off. The two entertainers deal with the humor faultlessly, playing off one another's comic-timing. There were a few minutes when I discovered myself applauding Madhi. Irritated with a lady seeing service her dad (Azhagam Perumal) orchestrates, she follows off in full formal attire — silk saree, weighty gems and a portion of the blossom market in her hair — to endure things at the town transport stand. Madhi's cool negligence for these services that are treated in Tamil society with practically respectful devotion is a joy to watch.

Indeed, even in the midst of the funny and somewhat problematic occasions that lead to their approaching together, a misfortune collides with their lives. It is right now of uncovering the disturbances in Madhi and Prabha's and Veera and Meenakshi's accounts that the diaries are cut off, sending Arjun on his excursion to figure out what has been going on with them. At the point when the plot gets back to Arjun and Shubha, we are again given a female person who is conspicuous, genuine and who ladies can see themselves in. Shubha has her own purposes behind being out and about close by Arjun and her own awfulness to survive. As she discreetly discusses the heaviness of her sorrow to Arjun, her bitterness and outrage takes up on us. There is a bad situation for judgment here. An autonomous lady, hiking across the Himalayan slants uncovers her inner self and with next to no show gets what we as a whole look for - sympathy. Ritu Varma as Shubha is refreshingly convincing besides in a couple of brief minutes while her acting puts on a show of being excessively cutesy.

The intriguing movement that occurs towards the finish of the film is when Arjun becomes acquainted with what has been going on with the genuine Meenakshi, Veera, Madhi and Prabha. Obviously the two men appear as though him nor do Meenakshi and Madhi look like Shivatmika or Aparna much. What he likewise realizes is that these individuals he had realized exclusively through the diaries have wildly outlived their misfortunes. What dazzles in the few unexpected developments that are uncovered at this crossroads is the way Ra Karthik discusses getting through the most squashing of disturbances life can toss at us. It's anything but a harmful positive lecturing. Nitham Oru Vaanam perceives the tight grip of melancholy, yet it requests that we battle for our delights from profound inside our haziest minutes. It tenderly lets us know that rebellion despite misfortune, in any event, when individuals around us anticipate that our universes should come to a crashing end, is our right. For that, the debutant chief and his magnificent cast merit acclaim.

Good movie  enjoy it