Story of the movie
Murugan, a magazine columnist who works in paranormal stories, goes to Malaysia to pay attention to and compose shocking tales that change reality and pretend. which gets going as a generally common shocking tale but changes into a life changing secret when Murugan meets Shankar, who shares a chilling paranormal encounter that he and his companions experienced. Murugan chooses to uncover the secret behind the happenings, just to wind up caught in an office of mysteries.
RJ Ramana makes a nice showing as Ramana. In spite of the fact that he is the hero of the film, he doesn't get a great deal to imaginatively do. Ganesan Manohgaran as Master, Tinesh Sarathi Krishnan as Shankar, and Logan Nathan as Anbu give a few fine exhibitions. Their characters are essentially as established as their exhibitions, and they prevail in convincing the crowd about the awesome paranormal element.
Investigation
Poochandi is a beast whose repulsiveness is coordinated by JK Wicky from a story and screenplay written by Thanabalan Kuppusamy. A deviation from the format of bounce-alert frightfulness and repulsiveness comedies, this is an animal satire that takes its motivation from a Tamil expression, 'Poochandi' frequently used to scare kids.
The story gets going like any found film with a scarecrow symbolism that slices forward to the hero Murugan. He is a Tamil columnist from Madhurai who is in Malaysia to compose paranormal stories for a nearby magazine. He meets individuals who have encountered paranormal exercises, explores them, and expounds on them.
One day, Murugan meets Shankar, who portrays a paranormal episode that he and his companions Anbu and Master experienced. Anbu is somewhat deadened and gathers one-of-a-kind things and coins as a side interest. Shankar remembers when they started playing the Ouija board and where things began veering off-track with the triplets after their tryst with the illegal game.
These procedures follow a standard soul flashback layout, and gradually the class shifts from ghastliness to secrecy. When Murugan, Shankar, and Anbu start to disentangle the soul's past, they coincidentally find a noteworthy association that tracks back numerous hundreds of years. Unarguably, the best thing about the film is the secret. There are additionally shrewdly positioned hidden treats, like the reference to the Tamil film Aayirathil Oruvan (2010), all through the film, indicating a befitting animal history.
For most of its 115 minutes, the film twists and turns to convey an exceptionally fascinating history to the normally utilised 'poochandi' idea in South India. The creation plan and making look extremely crude, and the spending plan requirements are exceptionally clear, however, the composition makes a fair showing with regards to taking up an idea that has a component of mystery to it. The shots, shading, score, and altering definitely help you remember a low-financial plan short-film.
Notwithstanding, this is an excellent effort. Other than cautiously sidestepping apathetic and advantageous leap alarm sayings that would have likely accumulated more standard appreciation, the composing group has focused more on conveying an alluring secret. The screenplay is imperfect, and consistency dribbles, yet at the same time it figures out how to watch out for the curiosity of the crowd till the end.
To put it plainly, more than the environmental development in the flashback, it is the graphically uncovered and described beginning story of Poochandi that takes the cake and makes the time spent on the film commendable. If by some stroke of good luck the story got the financial plan it merited and the creators dealt with the story in an unexpected way, Poochandi would have been a distinct advantage in Beast frightfulness separated from the set of experiences it would have given.
