Hi Everybody am back with my new blog book survey of Film Ponniyin Selvan 1 Mani Ratnam comprehends Kalki's novel is a standard exciting read, so he holds its flavor and neither intellectualizes it nor dumbs it down. The hardest part of adjusting Ponniyin Selvan into a film is the means by which to gather a masterpiece traversing 2000 pages into a 2.5 hour film. It's a difficult decision — what to utilize and what to dispose of. Here's where Mani Ratnam wins. He slices through the faff (truly, there's a great deal in the text) and takes just things that push the story ahead. Covering around more than two books of the five-section series, Ponniyin Selvan 1 recounts to the story that happens in different spots. With Sundara Cholan's (played by Prakash Raj) bombing wellbeing, an upset is organized to forestall ruler Aditha Karikalan (Vikram) from turning into the following lord. The youthful sovereign, who is away from the capital, sends his companion Vallavarayan Vanthiyathevan (Karthi), a covert operative and a courier from Kanchi, to track down the deceivers. This is only one piece of the jigsaw, with other plotlines including Arulmozhi Varman (Jayam Ravi) in Sri Lanka and Kundhavai (Trisha) in Pazhayarai. While it's difficult to try and compose a concise summary of the 5-section novel, Mani Ratnam's Ponniyin Selvan carves out opportunity and space to incorporate the best of the first and add two vivid conflict successions.
Sublimely made. Extraordinary mix of narrating and variation of the book. Utilization of good realistic plans to push story ahead. Center around the significant occasions and individuals, instead of attempt to make a film out of the whole book. It is without a doubt a piece quick moving, attempting to pack a ton of things in a short time, yet at the same very much bundled. I likewise felt a few sections were altered on a mission to abbreviate the movie, perhaps a chief's cut longer form can be delivered in future, that will help the bad-to-the-bone fanatics of the book.
Projecting is exceptionally adept. Aside from Rahman and Prabhu, everybody plays done their parts effectively, with Karthi and Aishwarya Rai standing out. Trisha holds her ground against Rai pretty well. Parthiban eclipses Sarathkumar is my thought process.
Cinematography is additionally excellent, particularly the scenes with Aishwarya Rai (to draw out the heavenly magnificence in her, according to the book) and the pursuit scene of Karthi inside Tanjore stronghold merits unique notice.
Music , obviously, ARR tries again later. Ponni Nadhi tune hangs out in the track list.
