The most thrilling element about Beast when it was initially declared was the approaching together of movie producer Nelson and Vijay interestingly. After making a solid imprint with his remarkably engaging movies, for example, Kolamavu Kokila and Doctor, Nelson takes a quantum jump to endeavour something profoundly aggressive with Vijay, who is inarguably probably the greatest star in the country. Monster, a Die Hard motivated attack thrill ride, is Nelson's effort to pull out all the stops as far as vision and scale which is just left somewhere around the dormant composition.

The film opens someplace close to Kashmir where Veeraraghavan (Vijay), a RAW official has been preparing for a mission for quite a long time. Without a second to spare, the Indian government chooses to cancel the mission, yet Veera chooses to go on according to the first arrangement, against the sets of his managers. He figures out how to effectively execute the mission, yet the result leaves him mentally scarred, driving him to stop administration and get back for good. A couple of months after the fact, he ends up in a prisoner circumstance. He is caught in a shopping centre with his better half as fear mongers request their chief (who was initially caught by Veera) to be delivered.

Nelson rose to acclaim with his tremendous utilization of dull satire in his initial two movies. His treatment of humour did some incredible things in his motion pictures and it even proceeded to characterize his style as a movie producer. Sadly, his kind of parody is scarcely present in Beast, which works more as a star vehicle pointed distinctly to hoist Vijay's star picture. This endeavour is legitimized with the film's all around arranged activity groupings and dazzling visuals, yet the shortfall of Nelson's kind of satire is a significant dampener. Monster is as yet worth your time however it isn't generally so ethically engaging as Nelson's prior films. It is fairly kept intact by Vijay, whose limited show is completely engaging but isn't to the point of rescuing a disappointing film.

 Beast satisfies all the pre-discharge publicity. The activity arrangements, which were profoundly discussed much before discharge, stick out and Vijay kills it with his mystique in these scenes. This is Vijay's most beautiful film but on the other hand, it's one where the outward appearance supplants something more significant such a lot that you can't appreciate it after a point. If by some stroke of good luck the trendy treatment was unequivocally supplemented by great composition, particularly a more grounded adversary, the film could never have frustrated in places. However much Nelson attempts to adhere to his narrating format by presenting characters who help the legend in the salvage mission very much like in his last film Doctor; these aren't generally so entertaining and critical as they were in that film.