A good comedy-drama that fails to succeed as an emotional love story. Would you give your significant other your phone in exchange for one day? Uttaman Pradeep (Pradeep Ranganathan) and Nikitha (Ivana), the primary couple in filmmaker Pradeep Ranganathan's second film, are coerced into doing so by the latter's father, which comes across as a cunning move to pull them apart. It also works. One day, the pair, who had been using cheesy phrases like "I know everything about you, baby" and "Enaku unna pathi ellam theriyum," realises the truth. In the same way that Nikitha continues to speak with her ex-boyfriend, whom she still refers to as “Mamakutttyyyy,”

Love Today has a whimsical central concept with his first picture, Comali, which makes the director's work simple. Additionally, the segmented screenplay makes the movie seem more like a collection of vignettes than a continuous narrative. Ivana's secrets are revealed in the first part, after which we move on to Pradeep's. The humour is spot on for our pop culture, which makes it quite effective. Maybe for that reason, it seems like you are viewing a funny YouTube channel that is also YouTube. The characters have just one function as well. Sorry, take Ravi. For instance, Revi's character is meant to criticise "male besties," and if you have to inquire what one is, you are too old.Fun...fun," a sort of movie catchphrase, also serves as an accurate summary of the movie, in which every issue is handled in a childish manner and given quick fixes. The movie conveniently only addresses mild topics that are acceptable to the general public.Pradeep only flirts; he doesn't actually cheat. Nikitha was merely trying to comfort her distraught ex-boyfriend by accompanying him on a vehicle ride. We only see the hidden and erased discussions, which whitewashes the situation. But what about their search histories, quirks, and the secrets we only share with our smartphones? Perhaps those are too sombre for this movie, which aims to have a happy ending. Although the movie aspires to be contemporary, its core has a decidedly Baby Boomer feel to it. A good example of this is how Revi and Mammakutty are portrayed. Although the movie makes it seem like it's okay for the heroine to have other boys as friends, its attitude towards these kinds of friendships is out of date. It does not view its protagonists through the same prism. In the end, she is "Daddy's little princess" while he is just another "Moma's boy." I would have rather if the movie had just been a series of comedic scenes like Comali.