The lyrics of the song 'Sawan Ka Month Pawan Kare Shor, Jiyara Re Jhoome Aise Jaise Van Ma Naache More' still attract people.  It is true that it was neither a savannah today, nor the peace that could be heard by the wind, neither the forest nor the peacocks dancing in it. 

 Despite this, even today such songs make our minds and life vibrate, so the reason for this is because of those pleasant memories.  There are fantasies, in which Kalidas to Nirala have poured out all the tenderness of their hearts in the making.  In Indian life, Sawan has not just been a symbol of a change in the seasons.  It has been a symbol of happiness, prosperity, harmony, and love.  

In the film based on Premchand's work 'Godan', Sawan can also be seen infused with gaiety in the lives of farmers.  ' The Jhanwa of the east brought the message that let's go towards the country today ', the first knock of Sawan gives hope to the laborers who came to the city to earn a livelihood that prosperity would have reached their villages too.  

The message of 'Ho Sawan' of 'Mother India' came out of his house, whoever yearns for its love, from 'Naveli Barse' to 'Lagaan' to 'Ghanan Ghanan Ghir Aaye Badra', even though the change in word combination is visible only  The basic tones of the songs are the same, the communication of enthusiasm in the midst of sorrows, this is Sawan.  

In 'Purab Aur Paschim', Manoj Kumar doesn't just say 'Purva Suhani Aayi Re, he sees Sawan as a national identity.  The superiority of the East is being proclaimed here on the pretext of the East.  Santosh Anand tries to express that only we have got the boon of Sawan.  

This is true too.  Savannah is associated with enthusiasm and love with enthusiasm.  It is not surprising that the pleasant atmosphere of Sawan stirs up the rhythm of love in the whole of nature.  In 'Chupke-Chupke' the heroine expresses this thirst graciously, 'Abke baraka Sawan mein, fire will lag Badan mein. 

 As much as Sawan has been a symbol of union, it is more of a separation.   We hope to.  Hindi films have changed their form over the years.  If it has changed, then its Sawan has also changed.  Hindi films have become cosmopolitan. 

 And in the metropolis, with the Sawan, the soft feeling does not arise, I remember the overflowing drains.  There is no longer a need for any Sawan to cross the limits.  ' If milk boils, it will start foaming, if you dance in Sawan, then it will be like fire without rain, and now without Sawan, it is sung, 'Sawan Mein legal fire'.  Obviously, 'Rim Jhim Rim Jhim Room Jhoom Room Jhoom' like ' 1942 A Love Story is now heard in a big way.