A new era has begun in Tamil cinema. Filming four films, Roquesh Kanagaraj has opened the door to a new world of cinema, with Vikram as the first major step, suggesting tremendous potential. Before Roquesh, no filmmaker could guide the conversation in the right direction about providing a true cinematic experience. Prior to Roquesh, the film experience meant a great idea and unnecessary prosperity for massaging a masculine crowd of stars. However, this filmmaker strives to give you  a certain level of experience. 
His writing and staging has a particular hobby, visual flair, and style. He easily managed the film's experience with  the great Kaithi, a pure genre film with a sane Hollywood thriller taste. Like the speed of  drugs. He taught us the taste of Master's world of this new movie. About the Vijay star, I wrote in the review: "This fun way of merging two different movies from two different eras is theoretically fascinating. And if the Master can do what Roquesh can do in a Vijay movie, it would be a smile to think about what to expect from him for his Verty in Vikram. Unfortunately, its delicious potential is still  a theory. What I find to be organic and exciting in Prisoner Dili is because I feel weak and coerced in Vikram. 
Martin Scorsese's Goodfellas, like Marvel's Avengers, is claimed by some to be a cinematic experience. Scorsese fan Roquesh will soon follow the path his master took. But at Vikram he plays it safely and adapts to market demands. Because the world of Vikram is an extension of Kaithi, which continues three months after the events of the latter film. Trying to start a franchise is not a problem. The problem has something to do with the reason. 
Vikram 
Cast: Kamal Haasan, Vijay Sethupathi, Fahadh Faasil, Kalidas Jayaram, Gayathrie, Suriya 
A work directed by Rokesh Kanagaraji 
Synopsis: Amar and his Black Squad team undertake a famous murder that leads them to two characters: drug trafficking organizations Santa Nam and Ghost. Don't get me wrong. With the exception of Kamal Haasan, everything in Vikram is good. Why do you  need a man for this movie? Why make a movie with Kamal when you can't even  register and feel his presence? Why Vikram (1986)? It could have been another movie. Of course, I understand the logical reason behind using the Vikram brand.But does Kamal's original film have anything to do with the new? Absolutely not. You could have featured Kamal as an agent, and the movie still worked. The new Vikram could have  been an independent movie starring Amar (Fahad)When Kamal Hasan made a (almost) Bond movie 
For the action thriller to work, it must be a well-oiled machine. Vikram is that machine. From the beginning, it's an exciting ride with a battalion of characters. As you may know, the script for this movie was born from the idea of ​​the main character, Kamal. The laid-back first half is crowded with layers and it's all about finding the hero. As a writer and director, Roquesh does a good job of building the world and keeping the plot alive. Given what's happening in that shocking and brave opening sequence, the movie confuses you and tries to wrap your head around what's happening. The 
Vikram has an unusual opening. Definitely rare for a Kamal Hasan movie. It starts with the song "Pathala Pathala". It feels like it was added later for itself. With the exception of that strangely arranged song, the movie really gained momentum and there were no wasted moments in the long-drawn first half. Roquesh must be as big a fan of Christopher Nolan as Scorsese. Many scenes are reminiscent of Nolan movies. In fact, you  get a Tenet-like sequence and a Bane-like narration here. There are many references to ID masking and unmasking. The person responsible for this unmasking is Amar, who leads countless teams of Black Squad. You were assigned by the police station to investigate a series of famous murders at the police station, leading to the man Santhanam (Vijay Sethupathi,  of course great). Santa Nam runs a drug empire. He faces the  recent fever of drug bust dating back to prisoner Dili. Others will ruin the fun. The 
movies about RAW agents and their victims are, of course, a sub-genre. We saw it a thousand times. Still, something about it draws us even further. In this case,  Kamal replays his quasi-bond character, Vikram. Vikram's tone and mood are quite tense, like prisoner Dili. And like the latter, there are lots of fashionable little character moments that will surprise you with adorable surprises and scores. In the second half, there is a  scene  that no one has seen. Of course, there is a flashback to Old Tamil songs. My favorite is Saraswati Sabasum's "Kalviya Selvama Veerama", with Vijay Sethupathi raising his hand with a lot of ridicule. The 
Vikram really comes back to life after a break scene that stimulates adrenaline. Action is Roquesh's strength, with impressive stunts (stunt director is Amberive's master) and excellent camerawork by Jallikattu's Greek Gangadaran in the second half. Nevertheless, something is  missing. And that something brings us back to Kamal. Roquesh didn't know what to do with Kamal's character as Vikram, so he could see the battle of Roquesh well. I don't have enough beef to feed a lion-in this case, there are three excellent actors. The script issues are: