Vetri Maaran teases the audience with footage from the upcoming second part at the end of Viduthalai Part 1, which resembles a hastily made trailer. I am more anticipating Part 2, which will be more political and direct, after seeing the dramatic scenes in those images. The focus of Viduthalai Part 1 is primarily on creating the environment that revolves around constable Kumaresan, hence it cannot be characterised as a hard-hitting picture as a whole. It's possible that Viduthalai will be just as spectacular as a Visaranai on a combination watch.

When Vetri Maaran's name is spoken, there are already great expectations, but Viduthalai Part 1 easily exceeds them. The start of the movie is a powerful single-shot sequence showing the aftermath of a train explosion, which sets the mood for an engrossing encounter. The police force and a group of activists fighting to defend indigenous people and their resources are at odds in Viduthalai Part 1.
In a delicate hilly area where the violence is most fierce, Soori plays Kumeresan, a police driver. As he gets to know the area, he unintentionally saves the life of an indigenous woman, drawing the fury of his superiors and subjecting him to the violence of the local police force. The division begins "Ghost Hunt," an operation to apprehend

We learn about what transpires from Kumaresan's letters to his mother, where he tells the account of what happened. He joins the E company as a jeep driver, and one of his responsibilities is to bring food to all the police stationed at the forest's checkpoints. Ragavendar brutally punishes Kumaresan for bringing a villager to the hospital, and as a result, he teaches him that there is a connection between the people and the Makkal Padai. We understand how powerful he is in terms of his values and beliefs via his refusal to apologise to Ragavendar. He also meets Paapa (Bhavani Sre) at this point, and an unexpected romance develops.

The fact that the ordinary individual is more afraid of police than a thief at midnight is one of the oddities of modern life. The powerful frequently employ a structure endowed with authority to safeguard their own institutions and hierarchies. The subject of Vetrimaaran's 2016 film Visaaranai is the abuse of police authority and the exploitation of the voiceless. The director of Viduthalai has broadened his scope beyond the police and is concentrating on the entire institutional power system. Similar to Visaaranai, there is a lot of violence on screen, and it wouldn't be altogether incorrect to label the movie torture porn. Vetri is one of the few heroes in a pitch where violence has come to be equated with.