A new era has begun for the Tamil cinema. The film director Lokesh kanagaraj has opened the door to a new world of cinema, with vikram as the first major step, suggesting tremendous potential. Before Lokesh, there was no filmmaker who could guide the conversation. Prior to Lokesh, the film experience meant great ideas and unnecessary prosperity for massaging a masculine crowd of stars. However, the filmmaker strives to give you a certain level of experience.
His writing and directing has a unique taste, visual flair and style. He easily managed the film's experience with the great kaithi, a pure genre film with the taste of a awesome hollywood thriller. Like the speed of drugs. He taught us the taste of master's world of this new movie. And if the Master can do what Lokesh can do in a vijay movie, it would be one smile to think about what to except from him for his Vaathi in Vikram. Unfortunately, is delicious potential is still a theory. Because i felt organic and exciting in Kaithi because i felt weak and forced in Vikram.
The new Vikram may have been an independent film with Amar (Fahad Fasil), who has inherited vikram's legacy, such as the James Bond film. The open peak suggests this possibility. As a fan of the original movie and Kamal Haasan, one feels disappointed. Lokesh could not see the true potential of his idol, neither as an actor nor as an action star.
After the wonderful interval scene, vikram really comes back to life. Action is Lokesh strength, with impressive stunts and excellent camerawork. And that something brings us back to kamal. He didn't know what to do with Kamal's vikram character, so you could see the battle of Lokesh well. Not enough beef to feed a lion in this case, there are three excellent actors. This must have been the problem with the script . Amar must find the spirit to find Santa Nam. But vikram needed a stronger reason than personal loss to burn all the gins. Even in old movies, Vikram wasn't a sentimental character. And Lokesh is suffering again in a sentimental scene.
Vijay Sethupathi, on the other hand, is noteworthy as Santhanam. Perhaps for the first time in a while, I see him striving to play the charcter and not being overwhelmed by Sethupatines. But unlike his master, Bavani, Santhnam reamins mostly wooden. His character is defined by his actions, but that does not mean he is powerful.