Published Jan 1, 1970
2 mins read
476 words
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Movie Reviews

Viduthalai Movie Sorri Sir ,Vijaysethupathi Sir Acting Reviews

Published Jan 1, 1970
2 mins read
476 words

Elred Kumar and RS Infotainment Pvt Ltd produced the video.
Lineup includes Vijay Sethupathi, Bhavani Sre, Chetan, Ilavarasu, Munnar Ramesh, Rajiv Menon, Saravanan Subbiah, and Chetan.
Getting there: Vetrimaaran
Jeyamohan's story
Videography by R. Velraj and editing by R. Rama
Director: Jacki
Peter Hein and Stun Siva created the stunt choreography
Suka, Vallalar, and Yuga Bharathi's lyrics
PRO: Suresh Chandra and Rekha D'ONE
Availability: Red Giant Films

     Without a doubt, Viduthalai is an additional jewel in the master's crown. The opening train accident scene sets the tone for the entire movie. The conflict is introduced right away, and Vetri Sir's distinctive narration ushers the audience into the action. The best example of utilising the chance to the fullest is Soori, who gave everything he had learned from his prior acting experience. Soori is the ideal cast because the inherent innocence he possesses is used to spectacular perfection. If someone else were cast, they would have to establish the innocence, but Soori has it from the very first frame. The third act contains a disturbing scene that is impossible to imagine anyone else playing the role with this brilliance.Chetan and gvm as police officers, rajiv Menon as the operations manager, and the rest of the actors are all excellent. The way Pappa depicts her wearing Kumaresan's gift is sufficient to characterise Viduthalai's best love scene, and the entire struggle is intertwined with the scene. Everyone will grow impatient for what the second installment has to offer as they wait for part 2. Without a doubt, Vetrimaaran will take our cinema to a global audience thanks to his mastery of the craft and every technological area, which is impossible to fully express in words. There is no way to truly feel the experience while reading or hearing about the movie.The monotonous script has numerous scenes that seem unnecessary or repeated, which serves mainly to extend the running time along with the music. We catch a glimpse of part 2 in the end, which builds to an anticipated climax.
Soori is sincere and truthful. In the same way is Vijay Sethupathi. Bhavani Sre is a good guy. As usual, GVM is. He is nice, Rajiv Menon.
Brilliant cinematography by Velraj serves as the foundation of the picture. The background music by Ilayaraja is excellent, yet the songs sound repetitive. Editing by Ramar is average. The dialogue is unimpressive, and Vetrimaran's direction is monotonous.
The socialist commentary VIDUTHALAI is drab, uninteresting, and one-sided, and it may not be well received.

      climax of the film
The first eight minutes of the film are a single shot, and the acting of vjs and soori is casual. Kumaresan's character arc, the film's neutral script, and the cinematography transport us to the setting.

Peak conversation: "What is Unaku Therinja Ponna? An ellarayum orey mari dha chitravadha panranga ayya na cal pani solidren abdinu gvm"

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