Setting a family show against the backdrop of a relentless corporate world, chief Vamshi figures out of how to wind around a genuinely captivating film on misconstrued children and fathers, fighting siblings, desirous opponents, a stressed mother, cheerful sentiment, lively tunes, and uncompromising gallant minutes. This is completely fueled by a shining star transformation by Vijay that turns normal minutes into engaging episodes.
The story spins around Rajendran (Sarath Kumar, who appears to have been coordinated to continuously look morose on the grounds that his personality has terminal disease), a business investor who sets his own children in opposition to one another to guarantee that he has the right replacement. While the first and second children Jai (Srikanth) and Ajay (Shaam), have an eye on the executive's seat and indiscriminately showcase their dad's impulses and likes, the third child, Vijay (Vijay), has a distinction of assessment with his techniques and chooses to remain away. What's more, when Rajendran discovers that he is counting his days, he will perceive the truth about his children and wind up making Vijay his replacement, which brings about the other two going on a path of destruction and more regrettable, getting together with his harsh opponent Jayaprakash (Prakash Raj). Could Vijay at any point impress as a commendable varisu and furthermore rejoin his currently broken family?
Varisu starts in a fairly unsteady way, with scenes that appear to be to some degree outside of its milieu and rather cold. Indeed, even the mother's opinion doesn't actually appear to be sufficiently intense, and the scenes between Vijay and Jayasudha have the clean feel of a television ad. What keeps us inspired by these minutes are the equals that we read into them in view of the detailed, genuine altercation between the film's star and his folks. All things considered, the set-up causes us to feel like we have dropped into a Telugu rendition of Chekka Chivantha Vaanam, where, rather than the criminal scenery, we get a story set against a corporate background. There are minutes that are somewhat level, similar to the aftermath scene between Vijay and Rajendran, that show up right off the bat in the film. Indeed, even the break point isn't precisely a stirring one.
However, at that point, the film changes gears in the last part, and Vamshi scores in sixes and fours with the mass minutes that have bath parody and courage in equal measure. He additionally penetrates the wistful minutes with parody and guarantees that things don't get excessively and exaggerated. Simultaneously, he likewise doesn't slow down when he needs to go after his crowd's tears. This is a film that is very mindful. Family and connections drive the plot, and the film is woke to the point of recognising that family members can be harmful and adequately dated to comprehend that occasionally, we get to make the best of what we have with regards to family.
Yet he compensates for every last bit of it through his driving force. Vijay is in stupendous structure, breaking jokes that have us break out into a grin, trading comic counters with Yogi Babu (who is very entertaining after quite a while), making self-referential punches (a scene including a meeting room meeting is an uproar!) and showing sincerity to make us purchase the wistful minutes.
