One of Chithha's first scenes features Easwaran (Siddharth), who uses a mobile game to get his niece Sundari (a wonderful Sahasra Shree) out of hiding so he can playfully grab her. The similar tactic is used later in the movie by a pedophile who kidnaps and mistreats schoolchildren to gain the trust of a child before taking her away. Although touching someone is one of our most fundamental and primordial wants, not every contact is intended to have the same effect; SU Arun Kumar illustrates how same behaviors can have quite different meanings when the goals are different with a series of comparable instances. With its strong central theme and such masterfully composed and performed passages, Chithha represents a worthy comeback for the film's director and star. Ninety percent of child victims are aware of their attacker, and nearly half of these offenders are family members, according to a research. Chithha, like Gargi did last year, emphasizes how close the evils that befriend our kids are. The scenes that take place behind closed doors provide our horrible inclinations the opportunity to fill in the blanks, making the portrayal of abuse more brutal. It makes sense that the predator's provision list includes petroleum jelly, lollipops, and baby food—it makes your skin crawl. A POCSO case's judicial proceedings are also attempted to be truthfully portrayed in the movie, with an emphasis on how police resolve (or attempt to resolve) it.Chithha presents two main conflicts in its script. One instance is when Easwaran is charged with sexually abusing Ponni, a classmate of his niece. Here, superb point-of-view cinematography and deft editing nearly give the impression that our protagonist has perpetrated a horrible act. The way the supporting characters change when Easwaran begins to doubt himself and how he responds to them highlights the actor in Siddharth, who we really missed in his previous few movies. When Sundari is abducted by a serial sex offender, there is still another problem. Chithha is a blend of drama and thriller, nearly convincingly done by Arun Kumar, who demonstrated his mettle in drama with his first picture and experimented with thrillers in his next two. If only the evolution had been more natural.Sakthi confides in Easwaran about experiencing sexual abuse at the hands of a relative. Instead of asking how Sakthi handled the event, Easwaran responds by asking where he may find the offender. Sakthi is then educated on how a violent reaction on his part could convert her ordeal into her identity. Aside from the outstanding performances by all of the actors, it's messages like these that allow us to overlook the flaws and recognize Chithha as one of the most significant movies of the year. How about some excellent touches?