Short Summary
Vijay is in spectacular structure, breaking jokes that have us break out into a grin, make self-referential punches and show sincerity in the wistful minutes

Varisu Summation: The extravagant child of a business big shot consents to assume control over the reins of the business, yet might he at any point impress be a commendable replacement?
Varisu Survey: Setting a family show against the background of a relentless corporate world, chief Vamshi figures out how to wind around a genuinely captivating film on misjudged children and fathers, fighting siblings, desirous opponents, stressed mother, carefree sentiment, a lively melodies and rock solid brave minutes. This is completely fueled by a shining star transform by Vijay that lifts conventional minutes into engaging episodes.
The story rotates around Rajendran (Sarath Kumar, who appears to have been coordinated to continuously look sad on the grounds that his personality has terminal disease), a business mogul who sets his own children in opposition to one another to guarantee that he has the right replacement. While the first and second children, Jai (Srikanth) and Ajay (Shaam), have an eye on the director's seat and indiscriminately showcase their dad's impulses and likes, the third child, Vijay (Vijay) has a distinction of assessment with his strategies and choses to remain away. What's more, when Rajendran discovers that he is counting his days, he will perceive the truth about his children, and winds up making Vijay as his replacement, which brings about the other two going on a path of destruction and more awful, getting together with his severe opponent Jayaprakash (Prakash Raj). Could Vijay at any point impress be a commendable varisu and furthermore rejoin his presently broken family?
Varisu starts in a fairly unstable way, with scenes that appear to be to some degree outsider to its milieu and rather cold. Indeed, even the mother opinion doesn't actually appear to be sufficiently strong, and the scenes among Vijay and Jayasudha have the disinfected feel of a television plug. What keeps us intrigued by these minutes are the equals that we read into them in view of the revealed genuine spat between the film's star and his folks.
All things considered, the set-up causes us to feel like we have dropped into a Telugu form of Chekka Chivantha Vaanam, where, rather than the hoodlum scenery, we get a story set against the corporate background. There are minutes that are fairly level, similar to the aftermath scene among Vijay and Rajendran, that shows up right off the bat in the film. Indeed, even the interlude point isn't precisely an energizing one.
However at that point, the film shifts gear in the last part, and Vamshi scores in sixes and fours with the mass minutes that have both parody and courage in equivalent measure. He likewise penetrates the wistful minutes with parody and guarantees that things don't get excessively sensational. Simultaneously, he additionally doesn't keep down when he needs to go after his crowd's tear channels. This is a film that is very mindful. Family and connections drive the plot, and the film is woke to the point of recognizing that family members can be harmful, and adequately dated to comprehend that occasionally, we got to cause the best of what we to have with regards to family.
There are mistakes as a somewhat slight heartfelt track (Rashmika plays the eye candy here), and not exactly considerable bad guys. That even an entertainer of Prakash Raj's height can't transform the main bad guy into a considerable danger to the hero shows how feeble the characterisation is. Maybe, the chief felt the contention including Vijay bringing his two siblings back into the overlay was sufficient. The general writing in the scenes is additionally very wide, which decreases the profound effect of the scenes, particularly in the main half. The pacing, as well, is lopsided and Vamshi even incorporates pointless tunes and one such a large number of battles that transform the film into an overlong undertaking.
Yet, he compensates for every last bit of it through his driving star. Vijay is in marvelous structure, breaking jokes that have us break out into a grin, trading comic counters with Yogi Babu (who is very entertaining, after quite a while), making self-referential punches (a scene including a meeting room meeting is an uproar!) and showing sincerity to make us purchase the nostalgic minutes.